DeWanda Wise on Plays an “Imperfect Hero” in ‘Jurassic World Domination’ | Clusterdam

On
June 10, Jurassic World Dominionthe
last movie in Jurassic World trilogy, premiering in theaters
nationwide. In a recent section for The Hollywood Reporter,
writer Richard Newby called the film “a clear demonstration of the strengths
and weaknesses of the blockbuster business”. This installment in the franchise
sees DeWanda Wise (plane pilot Kayla Watts) emerge as a necessary and unlikely
hero, whose cockpit ingenuity reorients the course of the game. movie.
More recently, Wise has entered the universe of a classic Western American in Jeymes Samuel’s The harder it is, the more they fall, a comedy directed by Stella Meghie’s Weekend and Brooklyn’s reimagined series updates to Spike Lee’s hit classic She’s Gotta Have It on Netflix. Each genre has its own set of requirements and creative freedoms, and Wise’s approach to all of them is strategy and trust in equal parts: “I’m very visual,” she says. In front of Jurassic World Dominion premiere, Wise talks to CHEAP about how she’s preparing for her latest role and looking to leave her mark in the decades-long franchise that uses dinosaurs and current events to squeeze time.
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How prepared are you to join a franchise that is
not only successful, but also leaves a mark on the audience’s mind?
On the one hand, I am super
step by step. So I try not to think about things in a way that would freeze me.
I talked to [director Colin Trevorrow] from the outset on what it takes to
build a character that makes an impact. And when I get the script, I just start
to prepare basically for certain real-life situations. As it pertains to the
larger franchise of all, it’s a very heartwarming franchise that has a very
loving fan base. It’s also a place where, you know, the stars are dinosaurs. So
it relieves the pressure.
How
does it feel to step into the action, adventure genre, being given some of your
previous roles? You have occupied very different worlds. How did you build the
character Kayla Watts?
I saw [the 2017 film] Logan and I
realized that there’s room in the action space for characters that have a
little more depth of humanity, of life, of personality – even if it doesn’t
have to be on screen, you still can feel the difference. I won’t say that I saw myself
in the action space until that kind of movie sparked something in me. But I’ve
been meaning to get into the action space for 10 years.
As
a pilot, it seems like the real plot revolves around Kayla’s support.
Especially as a Black woman in the film, for example, what do you think of the
Tuskegee Airmen’s legacy and how history might have influenced her?
I am a Maryland girl. It’s a very military-focused place. I
studied JROTC in high school. Most of my step-family served in the military… so
it’s just been a military-centered family for generations.
Part of what I built into Kayla is that this concept comes from
the line of matriarchal women who served in the military – and then just think
about history about when women were actually allowed to fly fighter jets. in
military. I mean, like early 90s history, very recent. [Note:
Congress removed the legal ban on women in combat aircraft by passing Public
Law 102-190 in December 1991.] So who is her
composition, it doesn’t just live in [the space] when you see her in action,
that’s everything about her – if you’re serving, it changes the way you perform
yourself, the way you live your life. In my imagination, she lives on that
plane. She is a woman who can get up and go at any time. That’s why she has
braids. (Laugh.)
As
for the dialogue, we don’t seem to understand too much about Kayla’s story to
me, or learn much about her outside life. But she still feels like a full
character to me.
That’s because you were introduced to her in her world. As soon
as you meet her for the first time, when you’re in the cockpit, you get the
idea that Owen (Chris Pratt) and Claire (Bryce Dallas Howard) are a bit
disoriented because it’s not their territory anymore. . And for the duration of
the movie, she went to Biosyn, she was their guide. A lot of action isn’t just
hinges, “I need to get these people out because I’m the only one who can fly,
I’m the only one who drives.” It’s also the fact that you really get the
feeling that once you step into her world, you’re in she world.
I
was struck by the tension between the past and the future in the film. Were
there any topics that stuck with you during filming? Anything that feels
particularly urgent or relevant, in retrospect?
Naturally, the core of her arc is a very classic hero’s calling.
Usually, when you’re in this space – when you’re in action space – the hero
just To be. And this is
one of the first times in this series where you meet a hero called to arms.
What really touched me deeply with Kayla was the concept of an
imperfect hero who can essentially start and serve from where you are, and
return home… because in my mind, after there, she’s going home to Detroit. And
she returned home with her wholeness.
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